Closer "Knuckleduster" is a direct nod to the past: It's a redone version of a cut from the 2004 EP Trashed, Lost and Strung Out. The title cut, despite Laiho's carefully scripted inclusion of knotty prog elements, is actually somewhat nondescript (Beethoven-esque chromatic passages notwithstanding). "Platitudes and Barren Words" is a forceful, hard-hitting track with a gorgeous melody, staccato guitars, and swirling keyboards amid fat, groovy drumming. "Kick in the Spleen" commences with a slow power riff, but soon explodes into brutal thrash, bellowed gang choruses, technical death breakdowns, and more, making for an exhilarating three-and-a-half minutes. "Hecate's Nightmare" is filled with adorned, proggy, atmospheric keyboards, jagged squeals of pinch harmonics, a plodding tempo, and a squalling, effects-laden dual guitar solo. "Glass Houses" follows with the hallmarks of the band's classic sound intact and offers a blazing Laiho solo that charges the barriers and the trace influence of Vivaldi in its chromaticism. Jaska Raatikainen's double-timed blastbeats, a chanted chorus, prog keyboards, and six-string lines buoying Laiho's snarling lead vocal place this track in the classic CoB pantheon. By contrast, first single "Under Grass and Clover" finds keyboardist Janne Warman engaging in a majestic duel with Alexi Laiho and Freyberg. Hexed kicks off with the anthemic "This Road," a pummeling orgy of power riffs, swinging snares, and kick drum grooves that feels as if it would have been at home on I Worship Chaos until its chorus wheels around on an intense but hooky riff. It also marks the recording debut of second guitarist Daniel Freyberg (Norther). Here they seek to integrate the band's classic sound with their 2010s experiments. Hexed marks the beginning of a third era for CoB. It resulted in records that were more diverse, true, but sometimes lacked the firm imprint of the band's established persona. The next 12 years, beginning with 2005's Are You Dead Yet? through 2015's I Worship Chaos, were filled with experimentation and restlessness the band utilized thrash, dissonant tunings, and progressive riffs filtered through punishing heaviness.
Their initial popularity began with the release of 1998's Something Wild and was cemented by 2003's classic Hate Crew Deathroll, as CoB established a trademark technical death metal sound rife with classical and hard rock melodicism. Over 22 years, Finland's Children of Bodom have established a global reputation as one of the hardest-working high-profile outfits in extreme metal.
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We’ll let you know the second that single drops, natch.Purchase and download this album in a wide variety of formats depending on your needs. Hexed reunites COB with producer Mikko Karmila ( I Worship Chaos, Halo of Blood, Hatebreeder, Follow the Reaper, Hate Crew Deathroll). Anyway, we had a really hard time choosing the songs for the videos, I guess that’s a positive problem to have.” Then again, someone said that there’s a somewhat similar vibe to what Follow the Reaper had. Here we have something that’s very Bodom, but somehow we haven’t done this kind of stuff, possibly ever. In a way it always feels familiar, but the new stuff also always surprises me.
“For me, it has always been very hard to describe our new music.
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